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    <loc>https://www.aysetashkiran.com/curation-and-workshops</loc>
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      <image:caption>Photo credit: Ellie Kurttz @RSC</image:caption>
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      <image:caption>Photo credit: Keith Pattison @RSC</image:caption>
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    <loc>https://www.aysetashkiran.com/about</loc>
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    <lastmod>2026-02-28</lastmod>
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      <image:title>About</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5afe75e8cef372d369b4c100/1529264030425-J6YNO7OCJ41DO42I2UK1/get-attachment.aspx.jpeg</image:loc>
      <image:title>About</image:title>
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  <url>
    <loc>https://www.aysetashkiran.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-17</lastmod>
  </url>
  <url>
    <loc>https://www.aysetashkiran.com/new-page-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5afe75e8cef372d369b4c100/1628410968240-XWW7X0C9158PVMBNSZL2/Movement+Directors+in+Contemporary+theatre.jpg</image:loc>
      <image:title>Publications - A collection of in-depth interviews with movement directors &amp; theatre choreographers.</image:title>
      <image:caption>2020 Bloomsbury As a movement director, this is an insider’s view of the subtle, embodied art of movement direction through the voices of movement directors from all stages of their working lives. Contextual chapters offer a lineage of practices in British theatre, as well as proposing a manifesto for change. Reviews of the book by One Dance UK and Springback Magazine.</image:caption>
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      <image:title>Publications - Chapter 13 Movement direction as R&amp;D</image:title>
      <image:caption>2025 Bloomsbury In this chapter I trace the research &amp; development journey in my movement direction work in two contrasting projects: The Dark by Peut Etre Theatre &amp; Dr Faustus at the Royal Shakespeare Company.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Publications - New introduction to Litz Pisk’s seminal book on actor movement</image:title>
      <image:caption>2017 Bloomsbury  For the fourth edition of this seminal actor movement book by Litz Pisk, I trace Litz’s developing practice from Vienna to London, revealling her teaching at  RADA, Old Vic Theatre School and Central.  First hand accounts of her classes are described in detail by actors and movement directors. Link to additional resources for this new edition The Actor and His Body by Litz Pisk.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5afe75e8cef372d369b4c100/1530456772406-C22DA4693QA1WR8L7DHS/Jacques+Lecoq.jpg</image:loc>
      <image:title>Publications - Chapter 25 British Movement Directors</image:title>
      <image:caption>2016 Routledge Through the lens of my embodied training with the Lecoq, I analyse the influence of Lecoq’s training on movement directors at the National Theatre. This chapter explores a line of influence from Claude Chagrin to the present day</image:caption>
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      <image:title>Publications - Renaissance &amp;amp; Movement</image:title>
      <image:caption>Movement Direction by Kate Flatt</image:caption>
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    <image:image>
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      <image:title>Publications - Teenagers &amp;amp; Movement</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Publications - Skin &amp;amp; Movement</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5afe75e8cef372d369b4c100/1637409489044-7SFWG4WAASK51ZZA7DP2/Screenshot+2021-11-20+at+11.56.09.png</image:loc>
      <image:title>Publications - Lineages &amp;amp; Movement Direction</image:title>
      <image:caption />
    </image:image>
  </url>
</urlset>

